Jacket Image

Enlarge Image

216 × 138 mm
240 pages
77 illustrations, 70 in colour
01 Jun 2019
  • £25.00

  • This edition is not yet available

Darker Shades The Racial Other in Early Modern Art Victor I. Stoichita

Difference exists; otherness is constructed. This book asks how important Western artists, from Giotto to Titian and Caravaggio, and from Bosch to Dürer and Rembrandt, shaped the imaging of non-Western individuals in early modern art. Darker Shades is a nuanced and detailed study that examines images of racial ‘otherness’ during a time of new encounters with different cultures, including people of colour, Muslims and Jews. The book also reconsiders the Western canon’s most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, colour, harmony and lighting. What room was there for the ‘Other’ in such a crystalline, unchanging paradigm? This book is a fascinating investigation for anyone interested in early modern art history, anthropology and post-colonial studies.

’Victor Stoichita’s wide-ranging book shows that although difference exists, otherness is constructed. This is elegantly illustrated by European images of Blacks, Jews, Turks and Gypsies from the early modern period.’ – Professor Jean Michel Massing, King’s College, Cambridge

’With impeccable historical scholarship, a subtle attention to minute pictorial details and acute anthropological insight, Victor Stoichita shows how Otherness is portrayed in the images of the early European modernity; not the conspicuous monsters and exotic figures brought back from the first colonial encounters, but the internal Otherness, that of Jews, Gypsies, Blacks and Muslims, whose discreet presence in the midst, or at the immediate periphery, of Western societies became a foil to emphasize by contrast the virtues of Christian identity. A major contribution to the historical anthropology of Europe in the making.’ – Professor Philippe Descola, Chair in Anthropology of Nature, Collège de France

Show all

Victor I. Stoichita is Professor of Modern and Contemporary Art History at the University of Fribourg, Switzerland. He is the author of Visionary Experience in the Golden Age of Spanish Art (1997) and A Short History of the Shadow (1997), and co-author with Anna Maria Coderch of Goya: The Last Carnival (1999), all published by Reaktion.