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234 × 156 × 131 mm
304 pages
20 illustrations
10 Aug 2020

Storyworlds of Robin Hood The Origins of a Medieval Outlaw Lesley Coote

Robin Hood is one of the most enduring and well-known figures of English folklore. Yet who was he? Lesley Coote re-examines the early tales about Robin in light of the stories, both English and French, that surrounded them. In the process, she returns to questions such as ‘Where did Robin come from?’ and ‘What did these stories mean?’

The Robin who reveals himself is as spiritual as he is secular and as much an insider as he is an outlaw. And in the context of current debates about national identity and Britain’s relationship with the wider world, Robin emerges to be as European as he is English – or perhaps, as the author suggests, that is precisely the quality that made him fundamentally English all along.

‘Lesley Coote’s scholarly study of the storyworlds of the early Robin Hood tradition broadens our understanding of the interconnectivity of medieval outlaw tales, romance, the fabliau tradition, miracle of the virgin stories, trickster tales, and pastourelles.’ — Alexander L. Kaufman, Reed D. Voran Distinguished Professor of Humanities, Ball State University

‘This is an important book that takes the Robin Hood legend out of the familiar forest of ‘Merry England’ and relocates it within the more culturally extensive greenwood of late medieval Europe. Lesley Coote’s comparative approach situates the Robin Hood myth within a complex matrix of multilingual cultural contexts – French pastourelle traditions, English and German trickster stories, fabliaux and other comic tales, and Miracles of the Virgin tales among others. Thoughtful, learned and sometimes provocative, Storyworlds of Robin Hood is a significant contribution to our understanding of the outlaw myth.’ — Dr Rob Gossedge, Cardiff University

‘In her engrossing book on Robin Hood, Lesley Coote also considers a geography beyond Sherwood Forest for the legend . . . The book’s fascinating focus is on the European-wide literary setting of Robin Hood-type tales in the late medieval, pre-Reformation era . . . Coote takes us deep into the pious, ribald, scatological and sometimes pornographic tales of the period . . . The book is not a search for the historical origins of Robin Hood but for his literary and cultural foundations. The result is a fascinating and engaging new look at an old legend.’ — Sean McGlynn, The Spectator

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Lesley Coote is Lecturer in Medieval Studies and Medievalism at the University of Hull. She has published widely on the Middle Ages and is co-editor of Robin Hood in Outlaw/ed Spaces (2016) and Robin Hood and the Outlaw/ed Literary Canon (2018).

Introduction: Who Was Robin Hood?

1 Robin Hood and the Written Word
2 Robin Hood and the Printed Word
3 Robin Hood and ‘Maid’ Marian
4 Robin Hood and the Virgin Mary
5 Robin Hood and Romance Narratives
6 Robin Hood and Other Tricksters
7 Robin Hood and the Comic Tale
8 Robin Hood and the Medieval ‘Past’

Appendix: The Texts in Modern English Translation
Photo Acknowledgements