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Dimensions:
200 × 130 mm
224 pages
Format:
Paperback
ISBN:
9781789141955
Illustrations:
35 illustrations
Published:
13 Jan 2020
Series:
Critical Lives
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Langston Hughes W. Jason Miller

As the first black author in America to make his living exclusively by writing, Langston Hughes inspired a generation of writers and activists. One of the pioneers of jazz poetry, Hughes led the Harlem Renaissance, while Martin Luther King invoked his signature metaphor of dreaming in his speeches.

In this new biography, W. Jason Miller illuminates Hughes’s status as an international literary figure through a compelling look at the relationship between his extraordinary life and his canonical works. Drawing on unpublished letters and manuscripts, Miller addresses Hughes’s often ignored contributions to the civil rights movement of the 1960s and his complex and well-guarded sexuality, and repositions him as a writer, rather than merely the most beloved African American poet of the twentieth century.

‘Fifty-two years after his death, the defiance and challenge that Langston Hughes evoked on the page during his long career still retain a sense of immediacy for contemporary audiences. In this book Jason Miller offers valuable new insights into the life of Langston Hughes and compelling readings of selected stories and poems that will be indispensable to students, teachers as well as new readers of Hughes’s prolific body of work.’ — Christopher C. De Santis, Professor of American and African-American literature, Illinois State University and Editor of Langston Hughes: A Documentary Volume and Fight for Freedom and Other Writings on Civil Rights

‘Miller’s biography links the works by Hughes to the many scholarly studies that have emerged in the past thirty years. His bibliography alone is a precious tool. Miller integrates his own examinations of primary sources, and he thereby provides a brilliant map for current and future research. Readers will gain a deeper appreciation for the complexity of Hughes's writing and his relationships—with individuals and with organizations. Indeed, Hughes was “Not So Simple.”’ — Donna Akiba Sullivan Harper, Fuller E. Callaway Professor of English, Spelman College, and author of Not So Simple: The “Simple” Stories by Langston Hughes


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W. Jason Miller is Professor of Literature at North Carolina State University. His books include Langston Hughes and American Lynching Culture (2011) and Origins of the Dream: Hughes’s Poetry and King’s Rhetoric (2015).

Prologue

1 Motherless Child, 1901–19
2 I, Too, am America, 1919–24
3 A Bone of Contention, 1924–30
4 In the USSR, 1930–33
5 Let America Be America Again, 1933–40
6 Aimee B. Simple, 1940–45
7 F. B. Eyes, 1945–50
8 Montage of a Dream Deferred, 1950–53
9 Seeing Red, 1953–60
10 Bright Tomorrows, 1960–62
11 I Dream a World, 1962–7

Epilogue

References
Further Reading
Acknowledgements
Photo Acknowledgements