When is a work of art finished? Can it be complete in a mental sense? And who decides? In this highly original and wide-ranging study, Carel Blotkamp explores the concept and manifestations of ‘the end’ in art.
From the idea of a mortal end to the notion of completeness, Blotkamp describes a fascinating array of historical facts and myths as well as novels on art and artists. He examines the value of the last works of artists, considering how a particular end came about and how that might affect our perception of the work; the difference in the styles of artists in old age; unfinished last works and those completed by another's hand; and the mythology inherent in the reception of last works, taking the last works of Raphael and Mondrian as prime examples. For students, artists and art enthusiasts looking for a new perspective on modern art, The End is the perfect place to start.
Carel Blotkamp is Professor Emeritus of the History of Modern Art at Vrije Universiteit, Amsterdam and a well-known authority on Mondrian and De Stijl. He is the author of Mondrian: The Art of Destruction (Reaktion, 2001).
Introduction
One Death and the Artist
Two The Case of Raphael: The Transfiguration
Three Last Works, Late Works
Four The Case of Mondrian: Victory Boogie-Woogie
Postscript
Bibliography
Acknowledgements
List of Illustrations
Index