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223 × 144 × 23 mm
272 pages
65 illustrations, 60 in colour
10 Jun 2019
Renaissance Lives

Pieter Bruegel and the Idea of Human Nature Elizabeth Alice Honig

In 16th-century northern Europe, during a time of increasing religious and political conflict, Flemish painter Pieter Bruegel redefined how people perceived human nature. Bruegel turned his critical eye to mankind’s labours and pleasures, its foibles and rituals of daily life. Portraying landscapes, peasant life and biblical scenes in startling detail, Bruegel questioned how well we really know ourselves and also how we know, or visually read, others. His work often represented mankind’s ignorance and insignificance, emphasizing the futility of ambition and the absurdity of pride, and he would became one of the most significant artists of the Renaissance period.

This superbly illustrated volume examines how Bruegel’s art and ideas enabled people to ponder what it meant to be human. Published to coincide with the 450th anniversary of Bruegel’s death, it will appeal to all those interested in art and philosophy, the Renaissance and the painting of the Dutch Golden Age.

‘In his landscapes, views of peasant life, and biblical scenes, sixteenth-century Flemish painter Pieter Bruegel the Elder focused on daily rituals of labor and pleasure. His wry works, often portraying workers in the fields or citizens going about their business in Antwerp or Brussels, emphasize the futility of ambition and the absurdity of pride.’ — Art in America

‘In this detailed and very readable book, to coincide with the 450th anniversary of Bruegel's death, Alice Honing explores how people perceived human nature. Bruegel's success is to show us how insignificant we are throughout a life that throws everything at us; a great artist's work is able to speak for every generation and in Bruegel we learn how to fully understand our own fragile humanity. Full of beautiful illustrations, this is a book that will surprise and entertain you.’ — Yorkshire Gazette and Herald

‘In his own time, Pieter Bruegel’s art has been praised as the ultimate achievement in the representation of nature . . . Elizabeth Honig’s book is the first to make us realize that this appraisal pertains to the representation of human nature of the people surrounding him – workers in the field, citizens of Antwerp and Brussels, noblemen, children, mercenaries, lepers, religious dignitaries, art lovers, humanists and the like – and of humanity in general, inward and outward woman and man included. Bruegel’s own personality and convictions, she writes, largely remain opaque, but it is thanks to Honig’s marvellous descriptions of some of Bruegel’s most renowned pictures that our eyes are opened to both the ‘idea of nature’ as people conceived of it in his time, but also to Bruegel’s personal, deeply perceptive ideas about human nature.’ — Reindert Falkenburg, Professor of Early Modern Art and Culture, NYU Abu Dhabi

‘Eloquently and effectively, Elizabeth Honig fulfills the promise of her title with a fresh, close look at Bruegel, amongst contemporaries, within his tumultuous era. She clearly articulates how the artist examined themes concerning basic human nature across his career. But in the process, she reminds us that while this thoughtful, engaged man laughed at the vices and follies of all humankind, like Democritus, he also, self-consciously, ultimately left us mute images to interpret alone.’ — Larry Silver, Professor Emeritus of History of Art at the University of Pennsylvania, USA, and author of Rembrandt's Holland

‘Bruegel’s paintings are conversation pieces depicting ordinary people rather than heroic figures, and they reveal human nature through proverbs and morals. Influenced by humanist scholars, Bruegel visualized philosophical ideas for people outside the academic world, and his prints and paintings depict folk tales and historical adages, sometimes in humorous form, that were important to civic education. He showed physical features that reveal inner character, utilizing a repertoire of human personality traits found in physiognomy books. Books such as Juan Luis Vives's On Assistance to the Poor, published in Bruges in 1526, confirmed people’s distrust of the disabled and poor as lazy, dishonest, and punished by God, yet in The Fight Between Carnival and Lent (1559) Bruegel shows the beginnings of a desire to keep social order through charity by bringing the marginalized to the center of his works. In Utopia (1516) Thomas More first suggested that those who mock are the disfigured. Honig’s thorough readings of Bruegel’s paintings give fresh interpretation of this idea. Recommended.’ — Choice

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Elizabeth Alice Honig is Professor of European Art History at the University of California, Berkeley. She is the author of Jan Brueghel and the Senses of Scale, Painting and the Market in Early Modern Antwerp (2016).

1 Humanity and Self-knowledge
2 Mankind in the Cosmos
3 Ambition and Authority
4 Triumph of War: Humanity in a World of Chaos
5 Inside and Out: Natural Languages of Human Nature
6 Laughing Man
Conclusion: Speaking Truth

Photo Acknowledgements