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200 × 130 × 15 mm
200 pages
41 illustrations
13 Aug 2018
Critical Lives

Arthur Rimbaud Seth Whidden

Before he had turned 21, Arthur Rimbaud (1854–1891) upended the house of French poetry and left it in shambles. What makes Rimbaud’s poetry important, argues Seth Whidden, is part of what makes his life so compelling: rebellion, audacity, creativity and exploration.

Almost all of Rimbaud’s poems were written between the ages of fifteen and twenty. Against the backdrop of the crumbling Second Empire and the tumultuous Paris Commune, the poet took centuries-old traditions of French versification and picked them apart with an unmatched knowledge of how they fitted together. Combining sensuality with pastoral, parody, political satire, fable, eroticism and mystery, Rimbaud’s works range from traditional verse forms to prose-poetry and the two first free-verse poems written in French.

By situating Rimbaud’s writing in Africa as part of a continuum that spans his entire life, this book offers a corrective to the traditional split between his life as a poet and his life afterwards. Written for general readers and students of literature alike, Arthur Rimbaud presents the original damned poet who continues to captivate readers, artists and writers all over the world.

‘Reading Whidden’s study feels like sitting in on a poetry class, featuring close (at times, technical) readings and perceptive analysis, which deepen our appreciation of Rimbaud’s art. The reader experiences the thrill of being granted a front-row seat to the precocious becoming and premature undoing of our young hero. In addition, we are treated to facsimiles of Rimbaud’s original manuscripts featuring his beautiful penmanship and the cast of characters whose influence he often quickly outgrew: family, teachers, artists, and friends . . . [a] gripping study.’ — World Literature Today

‘Whidden brings all the erudition of his previous studies to bear in this accessible biography of a turbulent artist whose explosive and ephemeral talent upended and reoriented French poetry. The originality of this concise volume lies in its thoughtful fusion of criticism and reportage, and its unique organization of the poet's well-documented life . . . In addition to generous excerpts of Rimbaud's poetry and letters, this work incorporates ample drawings and photographs, some by the poet himself, to introduce a truly catalytic and creative life. Highly recommended.’ — Choice

‘Seth Whidden’s captivating account of Rimbaud is certain to establish itself swiftly as an essential item on reading lists . . . the book provides both an excellent introduction for the student, and some probing and challenging analyses for the more advanced scholar . . . Discussion of the poetry is nuanced throughout, and we are treated to some delightfully perceptive close readings . . . this is an exemplary study, and one that inspires us to revisit, reread, and rethink Rimbaud.’ — French Studies

‘Seth Whidden’s biography of Rimbaud also impressively chops away some of the myths and clichés that have grown up around Rimbaud’s life like strangling ivy . . . It’s an impressive piece of work, it manages to be scholarly, thrilling and sober in one. Not easy.’ — Manchester Review of Books

‘Seth Whidden brings Arthur Rimbaud – the poet and the man, the irrepressible bad boy and the insuperable genius – alive in this engaging biography. As addictively readable as it is elegantly researched, Whidden’s book will appeal not only to specialists but to all readers interested in French poetry, culture, and the ever-fascinating interplay between life and art.’ — Caroline Weber, author of Proust’s Duchess: How Three Celebrated Women Captured the Imagination of Fin-de-Siècle Paris

‘In his always perceptive account of Rimbaud’s life, times and writing, Seth Whidden both draws on the recent research and transmits to English-speaking readers the poet’s new and often disconcerting significance.’ — Ross Chambers, author of An Atmospherics of the City: Baudelaire and the Poetics of Noise

‘This book is a must-read for students first encountering Rimbaud. Whidden puts everything in place to facilitate the appreciation of even his most difficult poems, including excellent English translations, without ever claiming to provide an interpretative key. A well-researched and up-to-date study, it is also bound to spark fresh insights in readers already familiar with Rimbaud’s writing. This book is no exercise in academic turf-marking; as Whidden notes in his closing words, “there will always be enough Rimbaud for all of us” (190). Rather, it is an invitation to take stock of the boundlessness of Rimbaud’s poetic project, and to stay in step with it, resolutely.’ — Nineteenth-Century French Studies

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Seth Whidden is Professor of French at the University of Oxford and editor of Nineteenth-century French Studies. His publications include Leaving Parnassus: The Lyric Subject in Verlaine and Rimbaud (2007) and Authority in Crisis in French Literature, 1850–1880 (2014). For ten years he served as co-editor of Parade sauvage, the scholarly journal of Rimbaud studies.

Note on References and Translations

1 Walls
2 Fields
3 Capital
4 Cities
5 Wounds
6 Worlds
7 Afterlives

Photo Acknowledgements