Jacket Image

Enlarge Image

216 × 138 mm
280 pages
21 illustrations, 8 in colour
14 May 2018

Fairies A Dangerous History Richard Sugg

How dangerous were fairies? In the late seventeenth century, they could still scare people to death. Little wonder, as they were thought to be descended from fallen angels, and to have the power to destroy the world itself. Despite their modern image as gauzy playmates, the fairies feared by ordinary people caused them to flee their homes, to revere fairy trees and paths, and to abuse or even kill infants or adults held to be fairy changelings. Such beliefs, along with some remarkably detailed sightings, lingered on in places well into the twentieth century. Often associated with witchcraft and black magic, fairies were also closely involved with reports of ghosts and poltergeists.

In literature and art fairies often retained this edge of danger. From the wild magic of A Midsummer Night’s Dream, through the dark glamour of Keats, to the improbably erotic poem ‘Goblin Market’ or the paintings inspired by opium dreams, the amoral otherness of the fairies ran side-by-side with the newly delicate or feminized creations of the Victorian world. In the past thirty years the enduring link between fairies and nature has been robustly exploited by eco-warriors and conservationists, from Ireland to Iceland. This book tells the story of the many fairy terrors which lay behind Titania or Tinkerbell.

EXTRACT: to read the introduction from the book please click here.

‘[an] engrossing new book’ – Seattle Times

‘Richard Sugg, author of Mummies, Cannibals and Vampires, wants to disabuse you of any nonsense you may harbour about fairies being small, whimsical and affectionate. The fact is, for much of recorded history they were regarded as dangerous and malicious. Traditional fairy belief has it that they were the original fallen angels, who accompanied the Proud Angel to a realm between Heaven, Hell and Earth. Sugg writes well, and amusingly, about the evolution of fairies from Terror to Tinkerbell.’ – Toronto Star

‘Sugg's book is in itself a kind of bewitchment, shimmering and eloquent, written with a certain ironic awareness and in the spirit of surrender to unknowing.’ – The Australian

‘Far from the innocuous flutterings of Disney films, in the 16th and 17th centuries fairies were often regarded as dangerous creatures. Abduction, murder, being forced to dance to death: these were only a few of the fates they could hand out, and people lived in real fear of their otherworldly strangeness. This account of apparent “sightings”, and what they tell us about wider society, makes for compelling reading.’ – History Revealed

‘both authors delve at length, and with admirable knowledge and insight, into contemporary media spins on their respective totems {The Dragon and Fairies] . . . these books are thoroughly researched and richly illustrated chronicles of the folkloric and literary pedigrees of their subject creatures. And they both come from Reaktion Books, a London-based independent publisher with a deep and wonderfully eclectic backlist . . . Sugg’s Fairies is a fun and informative read’ –  Washington Independent Review of Books

‘an intriguing book that makes you view nature’s unknown worlds very differently’ – Yorkshire Gazette and Herald

‘An instant classic: one of our best books on the supernatural past and present.’ – Simon Young, editor of Magical Folk: British and Irish Fairies 500AD to the Present

Show all

Richard Sugg is the author of eight books, including Mummies, Cannibals and Vampires (2015), A Century of Ghost Stories (2017) and A Singing Mouse at Buckingham Palace (2017). He lives in Cardiff.

1 Origins, Appearance, Locations
2 Sightings, Meetings, Signs
3 Fairy Dangers
4 Literature and Art
5 Fairy Magic: 1800 to the Present
Conclusion: The Green Mist

Select Bibliography
Photo Acknowledgements