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Dimensions:
216 × 138 mm
224 pages
Format:
Hardback
ISBN:
9781780238241
Illustrations:
8 illustrations
Published:
06 Oct 2017

Live Wires A History of Electronic Music Daniel Warner

We live in an electronic world. Electronic sounds and electronic music have long permeated our sonic landscape. What began as the otherworldly sounds of the film score for the 1956 film Forbidden Planet and the rarefied, new timbres of Stockhausen’s Kontakte a few years later, is now a common soundscape in technology, media and an array of musical genres and subgenres. More people than ever before can produce and listen to electronic music, from isolated experimenters, classical and jazz musicians, to rock musicians, sound recordists and the newer generations of electronic musicians making hip-hop, house, techno and ambient music. Increasingly we are listening to electronic sounds, finding new meanings in them, experimenting with them and rehearing them as listeners and makers.

Live Wires explores how the five key electronic technologies – the tape recorder, circuit, computer, microphone and turntable – revolutionized musical thought. Featuring the work of major figures from Schaeffer, Varèse, Xenakis, Babbitt and Oliveros to Eno, Keith Emerson, Grandmaster Flash, Juan Atkins and Holly Herndon, Live Wires presents many of the powerful musical ideas that are being recycled, rethought and remixed by some of the most electrifying composers and musicians today.

‘The writing is easy to read, knowledgeable without being painfully esoteric. A remarkable Recommended Listening appendix should keep us all busy for at least a decade to come . . . We are merely passengers on this intellectually stimulating and frequently entertaining ride . . . This is a wonderful guide through a still-evolving phenomena and one that now, more than ever, deserves our attention.’ – Spectrum Culture

‘The key to success with a book of this type is balance; too much detail and the layman is left baffled, but too little leaves more informed readers with a craving for chewy morsels of depth. Where authors such as Simon Reynolds employed a sociological approach in Energy Flash and David Toop’s Ocean Of Sound was one of philosophy, Daniel Warner examines technology in order to analyse the music. He gets it just about right . . . where the author succeeds is by injecting a real sense of his own passion into the text . . . Where descriptive sections could have been burdened with the dryness of unnecessary academic heft, they are lightened here by an authorial style that indicates a love of the music alongside a wealth of knowledge. Definitely best consumed whilst imbibing his excellent chapter of recommended listening.’
Shindig

‘Warner gives us just enough theory to grasp the significance of each development or key work. It’s a good introduction to the artistic aims and means of an ever-expanding sound world, and – from Varèse to Blondie to Squarepusher to DJ Shadow – makes for an invigorating and nostalgic playlist.’ – BBC Music Magazine

‘If we dare mention Christmas, this book would make a perfect stocking filler for Electronica fans… oh, right. Yes, that’s you. Self-gift?‘ – Electrowow

‘There can’t really be two ways to say this: Dan Warner’s Live Wires is a good book. Dan Warner’s intimately experiential/technical descriptions of his favorite instances of every kind and genre of electronic music in the experimental culture – a culture that almost obliterated the boundaries between “classical” and “pop” – will get you right inside of his sensitively perceptive ear and his deep knowledge and understanding of the sense and implication of what he has, and you will, come to hear.’ – Benjamin Boretz, composer

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Daniel Warner is Professor of Music at Hampshire College, Massachusetts. He is a composer and electronic artist whose sound and installation work has been presented at festivals around the world, and is co-author of the seminal Audio Culture: Readings in Modern Music (2004).