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210 × 148 mm
264 pages
30 illustrations
25 Sep 2017

Sting From Northern Skies to Fields of Gold Paul Carr

Born in Wallsend, a mainly working-class area of North Tyneside in 1951, Gordon Sumner would become one of the world’s best-selling music artists. Known professionally as Sting, he was the lead singer for the band The Police from 1977 to 1984, before launching a hugely successful solo career. The foundations of Sting’s creativity and drive for success were established in the region of his birth, with vestiges of his ‘Northern Englishness’ continuing to emerge in his music long after he left the area.

Published to coincide with the 40th anniversary of the formation of The Police, this is the first book to examine the relationship between Sting’s working-class background in Newcastle and the creativity and inspiration behind his music. Carr investigates the often complex resonance between local boy Gordon Sumner and the star the world knows as Sting.

This book will be of great interest to the many fans of Sting and The Police, as well as those interested in the history of popular music.

‘Perhaps fittingly, this enjoyable book opens by describing how Gordon Sumner grew up on the borderline, between the Roman Empire and the uncharted wildlands to the North. It shows how where we come from – whether real, or imagined – defines us, and delves deep into those liminal zones between fact and fiction, to put Sting in a new geographical and cultural context.’ – Dr. Paul Trynka, author of Sympathy for the Devil: The Birth of the Rolling Stones and the Death of Brian Jones and Starman: David Bowie The Definitive Biography

‘Paul Carr’s carefully researched study of Sting is clearly written out of deep appreciation for the man and his music, but it demonstrates why even non-fans should get to know him. Rather than focus on anecdote and personality, the book gets to the heart of what makes Sting tick musically without being drily academic. It negotiates well the seeming contradictions of this Geordie “world citizen”, providing fascinating detail about aspects of Sting’s sound, how it signifies, and how it has been achieved, leading to a rounded picture of a major musician.’ – Allan F. Moore, Professor Emeritus, Department of Music, University of Surrey

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Paul Carr is Professor of Popular Music Analysis at the University of South Wales. He has worked as a professional musician with The James Taylor Quartet and former Miles Davis sideman Bob Berg